Extraordinary: The Seeding … Deeper Down the Rabbit Hole

j3FILMSWhen so many people reached out to us after watching our first film, Extraordinary: The Stan Romanek Story, we realized it was mission accomplished. We knew it would be a polarizing film simply because of the subject matter, but as filmmakers, our goal from the beginning was to present the story (and evidence) in an objective manner so viewers could make up their own minds as to whether or not they believed the story to be true. We also wanted to provide the nudge that would compel people to at least consider the possibilities. Do extraterrestrial beings exist? And if they do, are they abducting humans for some kind of experimental purpose?

We didn’t make the film for true believers or hard-core skeptics; it was made for those who live somewhere in the middle, in the space where most of us reside – a place where healthy skepticism and childlike curiosity constantly co-mingle. We made it for those who aren’t afraid to ask the questions: Who are we? Why are we here? What don’t we know about the universe that surrounds us?

Most importantly, we wanted to tell a story about what it is to be human. Regardless of whether or not you believe in UFOs and/or alien contact, there are tens of thousands of people across the planet who have had UFO-related encounters and been profoundly affected by them. By telling their stories, our hope is that others can be empathetic to their experiences.

With the success of the first film, we were asked by The Orchard, our distributor partner in L.A., to create more content. We told them there was more to this story and that we would like to go deeper down the rabbit hole to tell it. Our second film, Extraordinary: The Seeding, is the result of these efforts. The film is a logical progression from where the first one took us, akin to continuing to put the pieces of a complex puzzle together. If aliens do exist and they are abducting humans for experimental reasons, what exactly do these experiments entail and why are they conducting them?

Over the years, as we’ve researched these strange phenomena, we’ve come across many individuals who claim to have been abducted by extraterrestrials. In particular, women have come forward and shared what they describe as abductions followed by pregnancies that can’t be explained and that end in strange miscarriages where the fetus simply disappears. In many of these cases, they describe another abduction a few years later during which they are shown their “hybrid” children on board alien craft.

Without exception, these women are sincere and credible; they hesitate to come forward with their stories out of fear of being ridiculed and having to relive the nightmare. In all cases, their lives are changed forever. Sometimes relationships are destroyed, as are careers, but many of these courageous individuals manage to come out on the other side stronger and with a keen sense of purpose. And some even become voices for those who are still struggling in silence with the fear and trauma.

We, the filmmakers, have become more open-minded and understanding as a result of making this second installment in the Extraordinary series. We originally set out to find as much tangible “evidence” as we could, and while this is most certainly critical when it comes to validating the reality of these strange phenomena, our main goal as filmmakers is to share human experiences. Our true gift in sharing this story is introducing you to the experiencers themselves – the individuals who go to work every day, love their families and otherwise live like the rest of us, but who have been touched by something so extraordinary as to have been profoundly touched by it forever.

As Extraordinary: The Seeding gets set to premiere at the Ft. Lauderdale International Film Festival (FLIFF) on November 17, 2018, our hope is that it resonates with viewers like our first film did, and that it also compels them to feel a little more compassion and empathy for the individuals who are trying to cope with their extraordinary experiences.

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